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 Appeared in NYT.
By ROBIN POGREBIN
New York City's vibrant arts scene is often portrayed as an
unalloyed good, economically as well as creatively. But the
resistance in many neighborhoods to a large increase in
artists looking for places to live is so strong that it is the
biggest obstacle to the healthy development of the arts in the
city, a study to be released today by a nonpartisan policy
research group said.
The study by the New York-based Center for an Urban Future, a
neighborhood-by-neighborhood assessment that looked at the
potential of arts and culture to stimulate economic growth,
concluded that much of the neighborhood concern was justified
because artists' moving into a neighborhood can drive up rents
and force out long-term residential and commercial tenants.
The paradox is that arts groups drive up the rents and then
cannot afford to remain in the neighborhoods whose
rejuvenation they spurred in the first place.
"Everyone is fearful of the demon of SoHo-ization," said Neil
Scott Kleiman, director of the center, which focuses on
economic development.
"You have this Darwinian progression: artists move into a
neighborhood, prices tend to go up, and the artists have to
move out," he said. "You're seeing it cloud cultural
development."
The city's cultural affairs commissioner, Kate D. Levin,
disputed the study's main finding about resistance to arts
groups. "That may be true in some cases," she said, "but most
of the time arts groups are not interlopers, they're essential
parts of how neighborhoods grow and define themselves."
"In almost every case I can think of, communities welcome
artists because of what they bring to the mix in terms of
24-hour liveliness and the business they bring," she added.
"Artists and arts groups are themselves the first victims of
gentrification."
The study, which took two years to complete and was
commissioned by Deutsche Bank, the Andy Warhol Foundation for
the Arts and the Rockefeller Foundation, asserted that the
city had yet to understand fully the economic value of its
cultural industry, which is responsible for more than 150,000
jobs, stimulated by a 52 percent growth rate over the past
nine years.
"While everyone agrees that arts and culture is a pillar of
our economy (in fact, no other single industry has stimulated
as much economic improvement throughout the five boroughs),
the vast majority of us haven't the slightest clue how to
define the sector," the report said. "Culture is not just
Broadway and Museum Mile, in other words, but thousands of
commercial artists, galleries, botanic gardens and zoos
citywide."
It is largely because of the disparate nature of culture in
New York, the study said, that city government has failed to
address it. "The arts are a scattered, tribal and complex
industry, with roots widely dispersed throughout the five
boroughs," it said, "and therefore, don't lend themselves
easily to a grand `master plan' from City Hall."
Mr. Kleiman said the resistance was evident, for example, in
Harlem and in St. George, Staten Island, where an influx of
artists — along with young professionals looking for a less
expensive alternative to Manhattan and Brooklyn — have
increased real estate prices.
"In five of the seven neighborhoods we assessed, concerns
about displacement were plainly laid at the feet of cultural
development," the report said.
The seven neighborhoods the study focused on were St. George;
Jamaica and Long Island City, Queens; Lower Manhattan; Fort
Greene, Brooklyn; Harlem; and the South Bronx. Because of
their retail strengths, the report said, Lower Manhattan and
Jamaica did not experience the problems that the other
neighborhoods did.
"Addressing displacement is the biggest challenge for any
community, and very few, if any, have come up with a good
response to this crippling issue," the report said. "Any
cultural development that drives away longtime residents and
artists might benefit property owners in the short term but
cannot be considered successful for the community and in the
long-term interests of local business."
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November 11, 2002.
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